karolin Interior Design, 2018-08-28 10:35:44. The easiest way to understand the size of a space is mock it up within a large room (or even a shed!). Include the key items of furniture, either by using real pieces or a stack of cardboard boxes to resemble the volume. Masking tape and chalk can help with this process, too. The idea is to figure out what you need and where you can cheat.
karolin Interior Design, 2018-08-27 15:52:28. Add layers of lighting. In this kitchen seating area, the backsplash is lit, the artwork is highlighted and the cabinet interiors are filled with light. One central lighting fixture would not have had nearly the same dramatic result. Professionals build layers of lighting to create interest, intrigue and variety. In a room where everything is lit evenly, nothing stands out. Pick a focal point and perhaps a secondary focal point and highlight those. Add general ambient lighting and some lower lighting, like table lamps, for interest.
karolin Interior Design, 2018-08-26 14:37:30. Hang artwork at the right height. Galleries and museums hang artwork so that the midline (center) of each piece is 57 inches to 60 inches from the floor. (The average human eye level is 57 inches.) And you should do the same. In a room like this, where the ceilings soar, there might be a tendency to hang the art higher. But remember: It needs to relate to human scale, not the structure’s scale. If you’re not sure, take a picture. It’s remarkable how much a photo can reveal. Print it out or use Photoshop or an app to draw on the photo. This can give you a sense of whether a larger or smaller piece of art is needed or a tall plant might be best to fill a vacant spot.
karolin Interior Design, 2018-08-26 14:30:04. Random cushions need more “Style & Error” testing (see point 1) than just about any other item. Cushion colours need to relate to something else in the room, but beware of the “perfect match” – this can easily go wrong. Play with pattern, but do try to work within just one or two same colour palettes.
karolin Interior Design, 2018-08-27 15:44:26. Random cushions need more “Style & Error” testing (see point 1) than just about any other item. Cushion colours need to relate to something else in the room, but beware of the “perfect match” – this can easily go wrong. Play with pattern, but do try to work within just one or two same colour palettes.
karolin Interior Design, 2018-08-27 17:29:24. Consider sight lines. Your focal point should be free and clear from one room to the next, so that it feels like you’re being drawn between them. That’s why the best spot for a focal point is usually directly across from the entrance to the room.
karolin Interior Design, 2018-08-26 16:20:49. If you have a small room, keeping all legs off the rug is a great cost-effective choice. You don’t want to pick too small a rug, though, or it may look insignificant, like an afterthought. The rug should appear as though it could touch the front legs of each of the seating pieces. This approach is best suited when you’re layering a pattern over a larger solid or textured rug. Put just the front feet of all your seating pieces on the rug to tie the arrangement together visually and create a well-defined space while lending a feeling of openness.
karolin Interior Design, 2018-08-27 17:27:31. Your focal point might be a dramatic hood in the kitchen, a mantel and art piece in the living room or a headboard in the bedroom. Whatever it is, choose something that will draw attention. In this room the fireplace and the lighting work together as a collective focal point, bringing your eye right to the center of the composition and anchoring it there.
karolin Interior Design, 2018-08-27 15:45:41. Create a focal point. There are leading roles and supporting cast members in any production. The same holds true in design. Choose your star and make it the focal point to anchor a room. Allow other items to take a secondary role. Don’t ask everything to have a leading role; it will just result in visual noise.
karolin Interior Design, 2018-08-28 10:29:25. I like to brainstorm all, and I seriously mean ALL my options, from the modest to the deliciously over-the-top. Travel, magazines, journals and trade shows help to keep a designer up to date with new products and materials, and even design ideas. I love a good sample. A sample pot, cutting, brushout, catalogue. Samples are a very useful tool – at the beginning of a project they represent possible options, a collection of ideas that are worthy of consideration.
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